From my stash: Illimani Santi

Since one of my biggest goals I set in January was to knit exclusively from my stash this year and to not purchase any new yarn, I thought it would be fun to share some special skeins that are currently patiently waiting to be knit. I am so lucky to have a really beautiful stash full of yarns that I genuinely cannot wait to work with, and most often I visit my yarn cabinet only when I’m ready to take on the next project or to find yarn for a specific project, because the more I visit the more simultaneous cast-ons I tend to have!

Before this year, I really didn’t do a ton of online yarn shopping. I definitely ordered the occasional indulgence from Purl Soho, or Woolberry Fiber, or from a particularly good IG destash sale, but I would say that most of my skeins are actually ones that I purchased in-person at a festival, event, or local yarn store. This makes my stash even more special because most of the time, I have really specific memories attached to purchasing them, which I love.

I picked out this beautiful handful of yarn today because I wanted to share about my AMAZING local yarn store, Freeman’s Creative. Amelia has been running the store for just over 2.5 years here in Durham and it has been such a privilege to watch her business grow. She stocks a wide and beautiful range fabric and yarn, is incredible at bringing in teachers to teach fun and modern patterns, engaging with community through weekly craft clubs, and is generally just a super cool gal. She just transitioned all of her yarn and notions to her online store in the wake of the pandemic so if you are able, please go check her out! I think she is still working on getting all of her fabrics online as well, but rest assured, if you email in need of something specific, she will hook you up. She’s a fabric pairing genius. One of my favorite memories in Amelia’s store is walking in with a smattering of prints I wanted to turn into...something - and walking out after she pulled 15 bolts of fabric to try out with them with a plan for a full quilt. So, so fun.

Anyways, I digress. This is Illimani Santi, which I purchased at Freeman’s Creative a few months ago. I wasn’t familiar with this company before purchasing this yarn, but one squish and I was in love. It is a luxurious blend of ultra fine merino, baby alpaca, yak, and mulberry silk. Swoon. And their label doodles are so sweet.

This colorway is called “Sunset” and I actually think the color is most accurate in the first photo. It is slightly more berry-hued than pure rust which I love. The project that keeps coming back to me over and over with these skeins is some sort of half-circle shawl, with a little bit of lace, lots of garter, maybe some eyelets...something I want to just completely wrap up in as the weather cools or during these spring mornings. The squish factor is just so good. Occasionally I’ll just leave some yarn out on top of my cabinet because I can’t bear to put them away yet, and so I may be casting on with this sooner than I had originally thought. No complaints here.

Summer Knits Roundup

1/2/3/4

As I’m sure comes as a surprise to absolutely no one except for me, I’m looking forward to summer in a way that I never have before this year. I always joke with folks who always say, “You grew up in Florida! Shouldn’t you love summer?” In fact, I left Florida because I was over the heat. The older I get, the more I love to visit my home state, but in general, summers even here in NC are too long and too hot for my taste. But this year? This year I cannot wait for all of the tomatoes, all of the heat, days on the lake, and also hiding in the AC at our new downtown library because hopefully summer will also mean more mobility and freedom after quarantine.

I’m also really picky about summer knits because I live in such a hot climate. Ours is not the locale of the evening sweater, but rather the evening sweat. No ocean breezes require a cardigan but rather a full-on embrace of a gust of wind that breaks up the humidity. The only reason that knitting has ever happened over the summer for me is due to one thing: air conditioning. I tend to knit a lot of socks in the summer also because it is generally a season with more travel, and socks are extremely portable and fun. However, I’m super interested in potentially, MAYBE making my way into the world of linen/cotton yarns this year after I have enjoyed working with the Cattail Silk for my Terrace Wrap and if I do, these three tops will be at the top of my “to knit” list. In the past couple of years I have also seen a decent number of new patterns for bralettes and cami tops that are knitted that are very cute, but I’m not sure work with my wardrobe or what I like to wear.

I included this incredibly sweet summer veggies garland from Susan B. Anderson because I just cannot with how cute it is. I knit her Fall Charms mini-set last fall and it was my absolute favorite so you know I’m going to be digging through my scrap bin to find the right yarns to work up some little carrots and corn on the cob this summer.

Are you looking forward to any summer knitting this year? Or projects for Me Made May?

Looking forward to this week!

Attempting to get some long-neglected plant babies some sun

It’s Monday, and there are some things I’m choosing to focus on and be excited about as I’m feeling stressed. Here’s what I am really looking forward to this week:

  • Finishing my first Wren Dress! After our at-home Easter festivities yesterday I found a few hours to watch The Office and crank out most of the construction of this dress. It looks great and the fabric is really soft. I made a few modifications to the pattern and am looking forward to sharing that.
  • Sending off a very special gift to a family member!
  • Starting the sleeves on my Wool & Honey sweater! Planning to finish the sleeves and do a first try-on before deciding how long to make the body and make sure I have enough yarn.
  • The rainy start to this week. We were awoken at 5 AM by a monster wind/rain storm that lasted about 15 minutes but there’s more weather on the horizon and that always makes it feel better to stay inside and be cozy even though its getting hotter.
  • Getting back on my “moving every day” challenge for myself with consistency.
  • Sewing B a fabric mask and hoping that neither of us needs to use them. (AKA: not planning on going to any public places.)
  • Eating more fruits and veggies. This quarantine is long enough that I’m coming to terms with leaving the house once a week for food and trying to keep lots of fresh things in our diet.

Also, just wanted to say THANK YOU to everyone who has commented on here or my IG about blogging and loving it too! I am thinking about how to add more features and organize the blog a little better so it is easier to find content as this progresses and potentially add a “subscribe” feature to get these posts straight to you. For now, I am registered on Bloglovin’ (what I personally use for following blogs) and you can follow me there to see new posts as they arrive too.

Knit WIPs - April 2020

All of that creative energy I’ve been feeling recently, while awesome, has resulted in a lot of projects happening at the same time. I try to be a semi-monogamous knitter but I’m not feeling the pressure to just work on one thing at a time right now and that feels good! Here’s what I’m currently working on this month.

Terrace Wrap

I’ve been working slowly on this project ever since last August. A year ago B took a trip to New York City and brought me back this amazing Cattail Silk from a detour he took over to Purl Soho (he loves me). It is 100% silk, and super gorgeous but not so shiny or smooth. I had originally started knitting the Rue Shawl with this yarn, but the intricate lace was really hard on my hands since the fiber content of this yarn has almost no give or stretch. I frogged it, and started instead with this simple pattern that was paired with Cattail Silk from Purl Soho, and it’s great. The yarn is already starting to bias in the pattern creating a slanted edge that I love. I’m maybe halfway through my first of two skeins and have a feeling I’ll get more and more into this as the weather warms. Hilariously, this would be the perfect wrap for a summer wedding and this is the first summer in years that we have no weddings on the books between May and August. C’est la vie, it will still be lovely. This also gives me hope that maybe someday I’ll be interested in knitting summer tees in linen or cotton yarn, which up to this point I have had absolutely no interest in.

Wool and Honey Sweater

I started this sweater almost immediately after finishing B’s Riddari in February and knit the entire first skein in maybe three days. The combination of squishy, beautiful Brooklyn Tweed Loft and interesting pattern growing on my needles resulted in being completely obsessed from the get-go. I separated the sleeves and started the body just in time to go see our last movie in theaters before self-quarantine started (although, we didn’t know that would be true at the time). I took a break from it the past few weeks to finish up my new nephew’s baby blanket (more on that later) but I am excited to start working on it again despite the complete impracticality of knitting a wooly sweater in April. I’m thinking I will add some length to the body if I have enough yarn to do so, and that this will become an instant classic for me. The colorway here is called “Fossil”.

Beekeeper’s Quilt - The Hexipuffs

Ah, the hexipuffs. These are without a doubt my longest-running project I have ever worked on, going on at least four years of very intermittent knitting on and off. Each puff is extremely adorable, easy to memorize, and takes maybe 30 minutes to knit, but I still cannot seem to get traction with this project even after a month of knitting them every day.

My lack of motivation, upon reflection, I think comes from two things: 1) while each puff is beautiful on its own, I have no idea how these colors are going to work together in the overall blanket, especially considering the mini skeins and sock yarns that I have to add to them. 2) I have no idea what final size I want this quilt to be, and no idea if I even want to use it in my home. These colors are so bright, happy, neon, crazy and are a great little pick-me-up when I actually knit them, but looking around I see no place where these puffs would reasonably live. The process is good, but the final result is not that motivating for me right now.

I almost want to give up on these puffs, I think, to open up new creative energy for other mini-skein projects. I would definitely be open to working on this project again in the future, as I love the pattern and LOVE the finished look of the original design, and I think that truly does come down to the colors. If I ever made this pattern again, I think I would go at it from the angle of choosing the palette ahead of time and purchasing all of the yarn together to make sure it’s cohesive. If you’re interested in adopting this project and the yarn I have devoted to go with it, shoot me an email in my contact form.

Happy knitting!

Iceland Part 6: Wool from start to finish

On our last day together as a group, we started the day by prioritizing one of the most important things: pastries. We grabbed rolls with ham and cheese and massive sweet rolls before hitting the road back south by a new route. At a local gas station off route 1 we finally saw a large group of tourists after many days of feeling very uncrowded, and I bought a green juice, trying to make up for the dirth of vegetables I had consumed over the previous seven days. Seeing all of those other tourists somehow made me so grateful for our knowledgeable guide and all of the experience and perspective she brought to our journey.

Our first step of the day was the Textile Museum in Blondous about an hour's drive from the northern city we had spent the last few nights. The museum sits on the coast of the fjord and is directly adjacent to the first women's college in Iceland, and which now serves as the lodging and workspaces for visiting artists in residence for the Textile Museum. While small, the museum was richly detailed, and I was shocked that the staff encouraged us to put on gloves and handle some of the pieces in the museum directly, getting to handle the intricate lace shawls, mittens, and more that were on display. After hearing all week about lace patterns, traditional shapes, and the fine history of Icelandic handknitting it was so exciting to see it all in person. After studying and creating spider lace, eyelet patterning, eight-point flowers, and natural gradients, it was inspiring to see these elements throughout all of Iceland's knitting history. The mittens were some of my absolute favorites, and I look forward to recreating some someday for my own everyday use.

In Blondous, we also visited the first step in the process of wool becoming yarn. Istex, the company that produces 90% of all of Icelandic yarn in the country, operates different pieces of the process of making wool into yarn throughout the western regions in Iceland. Our first step on this journey was the intake of all of the raw wool that will transform over many stages, hours, and machines to be suitable for knitting. Giant bales of raw wool filled the processing center where the fleeces are sorted by color and grade, washed, scoured, and dried. Naturally-colored wool is becoming increasingly rare in Iceland, as Istex dyes all of its wool for its own specific colors and drives a demand in the market for predominantly white wool from farmers. Helene shared that she would love to expand the palette of naturally-colored wool in her own yarn lines someday and work to rebuild the market for it in Iceland.

Examining a lock ready to be washed for quality and grading

We waved from our window to Hotel Hrausnef and the elves that guard its entrance on our way to Borgarnes, about 40 minutes outside of Reykjavik. Here, we also got to have our first experience shopping for yarn in a grocery store and to say I was overwhelmed would probably be an understatement. :)

Never mind the odd looks from the locals :)

The epicenter of all yarn-making in Iceland is the Istex mill outside of Reykjavik, where freshly-washed wool becomes yarn in a hundred colors. The people who work here have so much knowledge and experience in yarnmaking and honing their process and craft. They were really generous to share it all with us and answer all of our questions.

Mountains of wool awaiting their turn to be carded & spun

The final step in the yarn's journey to become a finished object led us to Helene's own studio in a cozy neighborhood inside the city. A light-filled mid-century studio full of knitted garments and modern interpretations of Icelandic wool blew us all away and was so inspiring. Spending time there I also began to realize a sense of nostalgia in our group, knowing that this would be our last stop in our journey together before parting ways, back to our homes across the globe after a life-changing week. We lingered long, wanting to absorb everything, and not wanting it to all come to an end.

All good things do come to an end, however, and almost a year later I cannot believe that I had the chance to go on this amazing trip, to experience this journey in myself and within this beautiful group of women who believe in the magic of two sticks turning wool into something warm. I cannot say enough good things about Helene's knitting workshops and would be happy to share any more information about my experience traveling to Iceland or about this retreat specifically. Now that I am finally caught up on sharing about this amazing trip, I'm also excited to share about the yarn I brought home, and the garments I've been knitting with Icelandic wool. Coming soon!

Iceland: Part 4 (Knitting workshops and plotulopi)

Our country hotel was my favorite place that we stayed the whole week. Right off of the main road leading north, it was flanked on both sides by wide, hilly fields and mountains that were obscured by clouds. Cows, pigs, sheep, ducks, and chickens had their homes near the cottages covered with mossy roofs and two hot tubs overlooking the river. Our first lesson, which took place in a room behind the restaurant, involved all of the varieties of Icelandic wool and how they are made: the plotulopi, lettlopi, alafoss lopi, einband and everything else that Iceland has to offer.

 A traditional Icelandic triangle shawl featuring spider lace and undulating lace patterns (thank you Brigitte!)

For centuries , all of the wool raised in Iceland was cleaned by hand, combed by hand, and handspun extremely fine lace. Today, it is nearly impossible to find that kind of yarn unless you spin it yourself, and so a few years ago Helene worked to develop her own lace-weight single-ply Icelandic wool in the old traditional way. A century ago, women rarely wore coats or jackets to stay warm like we might assume in modern times, but instead would layer wool shawl upon wool shawl, plenty long and tied in the back for warmth. And warmth, as you can imagine, was of the utmost importance to make it through incredibly long winters.

 Kris and I working on our plotulopi :)

We spent the morning cozy inside with plenty of coffee, working with plotulopi, playing around with lacy eyelet designs, several cast-on and color-changing techniques, broke for lunch, and picked it all back up again. Mid-afternoon we stopped for coffee and waffles (a tradition I would very much like to keep up in my every day life) and then had some free time to explore.

I took a hike up the mountain which turned out to be much more of an adventure than I had bargained for. As I passed each animal’s pens following the river towards the mountains, I realized that the pigs were following me along the length of their fenced pen. “How fun!” I thought, “They’re taking a walk with me!” And fun it was, until I realized that at the end of the pen, some pigs had dug a trench under their fencing and decided that they WOULD in fact go on a walk with me! Not normally scared of animals and knowing that pigs were not known to be aggressive, I was nevertheless alone and several hundreds of pounds of pigs were headed in my direction and at a fast clip. I quickly diverted my direction back towards the farm, just in case I needed to call for assistance, and the pigs continued to follow me at a distance. I found a grassy ledge off the path with a small pebbled path running in front, and much to my relief the pigs decided to continue along their path and towards, I am sure, a favorite pasture. Crisis averted.

Some hiking, some journaling, some dinner, and of course a pre-bedtime dip in the hot tub, followed by a dip in the icy cold and clear river. And as if the day couldn’t get any better, I found out late that evening that I had a new niece waiting for me back in the States and I got to Skype with Lila Kate on the day she was born just outside the restaurant, overlooking the mountains. It’s a moment I will never forget.

How I loved you, country hotel!

 Photo by Helene :)

Iceland: Part 3 (Borgarnes and sights along the way to Our Country Hotel)

The next morning, we were to meet Helene at 9 to get out of the city, and so the majority of us came down for breakfast around 8 AM. I met all of the ladies who would be journeying together: Brenda from the Netherlands, Pennie and Phillippa from the UK, Kris from Denmark, and Brigitte from France. I unknowingly outed myself as an American right away by eating an apple with peanut butter for breakfast (apparently a very American thing to do) and visited with everyone a little bit before collecting our things to load up!

Helene arrived in the most beautiful green cardigan and lacy shawl, exclaiming that she dressed for spring but couldn’t believe how hot it was (this was a theme of the week, apparently temperatures in the 50s in May were QUITE unusual for Iceland. We saw a few lupines on our drive that day and she was so surprised, she couldn’t believe it.) Our small crew loaded on a small tourist bus and began the drive towards Highway 1, which loops all the way around the country. As we drove, Helene told us all about the geologic history and answered a bunch of our questions about the history, culture, and agriculture of the country. A vast majority of the food that is eaten in the country is imported due to the harsh climate, but I was amazed at all that she shared about the ingenious ways that farmers have learned to cope with rocky soils, long winters, and an incredibly short growing season.

We were all, I think, taken aback by the views already. Whenever someone has asked me how I found Iceland since this trip, I always think of this moment on the first day when we drove out of Reykjavik. The plains, flat and grassy with almost no trees, giving away in a moment to towering, dark mountains whose peaks were completely obscured by the clouds. It made me think of God, and for a while I sat there in wonder at it all.

Of course, we were only just beginning. We stopped for our lunches, to be taken on the road, at a small cafe on the edge of Borgarnes and after travelling through the longest tunnel I think I have ever seen, which cuts across an enormous body of water and makes the journey just 45 minutes instead of 2.5 hours between the cities. The first day was a touring day, and we had a lot to see!

Our first stop after Borgarnes was to a farm owned by a lovely craftswoman named Rita, who had farmed all her life and spoke mostly Icelandic. She and her family raised sheep for many years and now focus mainly on dyeing and sheep-related crafts, including the making of buttons, needles, jewelry and tools out of Icelandic sheep horns. She had worked to source naturally-colored Icelandic fleeces beyond the traditional and easy-to-dye white in shades of fawn, chocolate, and even black. The purchases began. :) She also treated us to small glasses of bilberry juice, or wild blueberry juice, intensely sweet and delicious, while we spent some time on her homestead.

 Signs of spring at Rita’s farm

From Rita’s farm, we visited the country store and Wool Collective in the Borgarfjörður region. Composed entirely of individual artisans, makers, farmers, and dyers who directly benefit from the sales of their handcrafted wool goods, it was incredible, and a privilege to support. In an era of increasingly industrialized and outsourced souvenirs, I was very excited for the opportunity to directly support the people and crafts that made this country so special. A few naturally-dyed mini skeins made it into my shopping basket, each individually labeled with the person who dyed the wool, and the materials with which it was dyed. The region also boasts its own lopapeysa sweater completely original and representative of its culture which could only be purchased at the store. I love those little ducks!

 The region’s distinctive lopapeysa design  More incredible hand-knitted Icelandic creations

After we had seen everything, and with promises of more treasures ahead, we drove to the home and studio of Gudrun Bjarnadóttir. Gudrun provided us with an in-depth history and look at her natural dye process to make her Hespa yarn. (This is a wonderful interview that Tolt Yarn & Wool did with Gudrun a few years ago.) A botany professor by trade, Gudrun began naturally dyeing Icelandic wool using traditional methods that combined all of her interests and passions. She taught us all about how she learned how to adapt traditional methods for a modern kitchen (subbing ammonia for sheep’s urine, for example) and her love of the craft. In her pots that day were yarns being dyed with Icelandic moss (actually a lichen), lupine leaves, rhubarb root and some non-native species that have a long history in Iceland including madder, indigo and cochineal.

Gudrun was so patient and attentive to our questions, and you could tell she has a real passion and a love for Iceland, its history, and her craft. She joined us for our bakery lunch of sandwiches with ham and hardboiled eggs (a new cuisine for me, but not for my European counterparts), fried “love balls” (donuts with raisins and cardamom) and an iced Danish. Her studio door opened up to more mountain views, chickens walking around contentedly, and a cool breeze. I could have stayed there forever. It was so special for me to see how deeply rooted natural dyeing is to the culture and history of Iceland and made my own experiences with natural dyes in my kitchen at home seem much more connected to a larger history and culture of extracting beauty from nature for our day-to-day lives.

In Iceland, one of the best and craziest things I figured out while traveling is how you can be on your way to some destination, and just so happen to be in the same vicinity as a waterfall fed by a northern glacier that was originally carved in its place by lava flows. (Is this real life?) So was the case with Husafell. I couldn’t believe my eyes.

Our final stop for the day (as if the day had not already been one of the most incredible of my life) was at the Háafell goat farm. Goats, we would come to learn, have been largely persecuted and under-resourced in a country obsessed with sheep, almost to the point of Johanna. 16 years ago, Johanna made it her mission to save these animals and thanks to her incredible determination, a well-timed Indiegogo campaign and Game of Thrones, the goats survive to this day. In fact, a new baby goat had just been born a few hours before our arrival.

 Helene makes a few new friends :)  Baby goat snuggles in my  Nurtured sweater

Just outside our lodging for the next few days, an incredible crater that we climbed to the top and where we squished our hands in the most lush moss you’ve ever seen.

Much earned at the end of our day, a beautiful meal in a restaurant where the sun never set and where we remarked on our exhilarating and exhausting day. The next day we would stay in our country hotel for the first day of our workshops!